The Lexicon _ Shanghai
The conceptual design for shanghai is a theoretical exercise
in thematic processes, an investigation into architectural language as a
lexical device governed by thematic parameters and syntactical structures. The lexicon
is rather a series of architectural devices and tectonics composed as an
interface for a subject and object experiencer. These tectonics thread through
an arrangement of digital art and light sculptures as a syntax of meaning and definition
to the overarching architecture. The correlation between lexical properties and
syntactic structures are modes of operation in which the architecture emerges.
Meaning and experience are not limited by surface and material association; but
when art and technology are introduced, the system of thematic structure
becomes visible in its lexical and syntax relationship. The art work in the
form of digital projection, light sculpture, and diverse mediums perform as aspectual
properties, unlike the thematic tectonic shapes and form. They become interface
entities; these entities are mediators between spaces and the architectural
body. The subject experiencer correlates the differences in the art and
tectonic expression, but the event in which these entities project are undefined
allowing emergence in activity to develop and operate.
By choosing a site in Shanghai next to one of its largest
art communities (M50), the lexicon takes on a more complicated system of
thematic roles, in terms of urbanism, communities, and art-architecture
relationships. Experimental art in the form of light and projection become mediators
within the urban context as well as the architectural interface. When
integrated, a manifestation of events and experience arise. The syntax correlation
of the art coordinates, or gives an ordering to the diverse tectonic assembly.
The togetherness of its system homogenizes its formal abstraction. An
architecture of this kind is directed as a nexus by which entity nodes and experiential
effects are magnified. The complex itself is a series of corridors, plazas, galleries,
and platforms arranged in a seemingly fragmented array of steal shells. Its
fragmentation is rather directed toward experiential effects. The architectural
interface for art allows for an openness to new possible arrangements for
viewing and experiencing new mediums. As a lexical device, the syntactical systems
of art integration can thematically and programmatically give its structure
meaning and definition.
Elevations
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